[Comedias] Fwd: LA Escena: Hispanic Classical Theatre Festival

Wed Nov 11 10:35:55 CST 2020

<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAH_TDh02bAH06w8boPm9JomLlF7DKBLxOtekpLsCxMstCDEl2v1nQt8oV0vs-FIcKJzOEotomQkIuPE7pQ1BBp8aaVJWZI1axfg4FaNI-Ar3I=&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
Diversifying the Classics is delighted to announce the second edition of
Los Angeles’ Festival of Hispanic classical theater, LA Escena 2020
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAH_TDh02bAH06w8boPm9JomLlF7DKBLxOtekpLsCxMstCDEl2v1nQt8oV0vs-FIcKJzOEotomQkIuPE7pQ1BBp8aaVJWZI1axfg4FaNI-Ar3I=&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>,
now in a largely virtual mode. Presenting Hispanic classics, from inventive
productions of the original texts to translations and adaptations inspired
by the Golden Age.

This special-edition virtual festival includes performances in English and
Spanish from artists from Mexico City, Madrid and Málaga in Spain, as well
as New York and Los Angeles, all exploring new directions in theater
practice across a number of platforms.

We hope you will join the LA Escena 2020 program online November 12–16 for
a unique and unforgettable experience. You can RSVP today for FREE for any
and all LA Escena events.
Learn More About LA Escena 2020
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When you RSVP, we will send you a link for each show at least two hours
prior to the performance. If you need a last-minute link or technical
support, please contact us here. <coor.laescena at gmail.com>
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Finjamos que soy feliz
12 NOV – 5PM PST

Tania and Oscar, the main characters on this voyage, must adapt their
acting style to explore this complex text, which takes the powerful figure
of Sor Juana Inés de la Cruz as its starting point as it considers
feminism, inclusivity, and the impediments to free thought, which the
Mexican nun defended so passionately in her own time.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHilukdDQXDTyJH04g8JiVYQl1hLRVjO2LXWf3rQL5btMMprIYhQ5picCgqLQq1qeK6pdjUriOzonKY_Xob0CJd6zz_bpbBInVmHceDLnVyGOUAbCtBtI-7hplQc1NT6fi&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
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Don Carlos: Prince of Asturias
13 NOV – 4PM PST

Don Carlos was heir to the Spanish throne after the most powerful king in
Spain, King Phillip II, but Carlos’ personality anomalies and ostensible
sexual deviances deemed him unfit to rule in a patriotic and puritan
Spaniard’s eye. Will Don Carlos fight for what is right, or succumb to his
own eradication?
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHQMg3PFwzHBUXgJHaLXrWDtB0kmh2oBt17qDH5exgcqPR7Rz9Zv0zgH2Gsla2t76tUJ3BgzxA7vjYYpcVxg3txSNdWzRw-hPMgeLmLK6GVZZm_ZgIcSJzjB1E2bMUMhKKDTIhhR73qmE=&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
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Golden Tongues I:
The King of Maricopa County
13 NOV – 6PM PST

In present day Arizona, near the border with Mexico, the politically
conservative sheriff is up for reelection. His daughter from a previous
marriage and his new wife are brought together by destiny: a car collision
far out in the Arizona desert, in the middle of a thunderstorm. Their
forbidden love, discovered by the vengeful sheriff, sets in motion a tragic
series of events that shows the horrific consequences of power run mad.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHuUhkEyDgomQe5yfI6f1gJb7jL5_nl_Y80jrIULDcHG61CGQ6wq1_KnzuVsVy7ufQtlP7W4najMfsp0iYX5Hy-mlxxGq4oRHJrypMhFQ0XrXlI6XOBeldWELhQNHn30zc3vuycwSFTAU=&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
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Quijotes y Sanchos
14 NOV – 10AM PST
15 NOV – 10AM PST

Quijotes y Sanchos is a self-guided tour of Los Angeles. The experience
begins at home, as participants receive their instructions. We invite you
to see your own space through the eyes of Don Quijote and Sancho, to relive
the events of the novel, and to cross the city as though it were the Spain
of 1604… or the Tokyo of the late 20th century. Quijotes y Sanchos turns
your place and your city into the backdrop, you into the protagonist, and
the rest of the world into the ideal cast for your journey.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAH6tqKeV3hD_GDUYccVAaiYmuWhUdoTsfbOExLpoYQ7onBqZGH-XCH7QFqWid34xDNHuZ8C-W9-BUBrFwWJ3HzE9qUu3AA0dHhf8qlQVOKqSbOdsa6xFE8mT438brg9KOF&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
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Quijóteres Puppet Show
*FAMILY FRIENDLY*
14 NOV – 1PM PST
Available on Demand

¡Quijóteres! is a bilingual puppet theatre adaptation of Cervantes’ classic
novel that aims to introduce young audiences, regardless of their
familiarity with Spanish or the Golden Age, to the comic adventures and
themes of Don Quijote. Featuring “muppet-style” puppets on a unique,
multi-functional traveling puppet stage, the show takes advantage of its
imaginative puppet setting to emphasize the novel’s intensely comical
depictions of the ridiculous.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAH2hlv1sL4NHK7_SlRoghjItCnFc_McLz1PPXTdVFDXkwkQZnP6XnxGFgq39eOiB9XgRLFNSXTr-_pBZV1Em7Izbh8AaeuL-a_W5h6rgrim0-kkbWiOT9J3X7xuFDd-gwo&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
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Y es mayor dolor la ausencia que la muerte
14 NOV – 3PM PST

Grumelot presents a virtual experience that reflects on what it means to be
free while in seclusion, and to achieve our most intimate connections at a
distance. This piece, designed for digital platforms, starts from the texts
of Sor Juana, that “Tenth Muse” of Mexico, who sought out seclusion for the
sake of intellectual freedom, and places them in conversation with 12
female artists as they experience their own isolation during the Great
Lockdown of 2020 in Spain.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHtDQnh0mpwDa5jsEKlh9TPtelmErJcQkg4I_serI666Drd13ZNO_wp2rS7EjEhu9CQrwRxWetJ8StWp8tEdyXWgC4DZ1N7KTIor3lgdpEyOx4zhGxCIG8YySYZoSFmoICr78qP1dU4bpPtQWheJBCFqzUznZDPDsG&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
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Golden Tongues II:
The Woodingle Puppet Show
14 NOV – 6PM PST

Julie Taiwo Oni’s riff on Miguel de Cervantes’ Retablo de las maravillas
(The Marvelous Puppet Show) reimagines the anxieties around social and
cultural belonging in the space of a rapidly gentrifying South LA. In The
Woodingle Puppet Show with Host Mr. C, as Constructed by Mr. Asinine with
Calculations and Articulations of the Genius Sort, Oni explores questions
of Blackness, and the hoops people are willing to jump through to prove
that they are “black enough.”
LEARN MORE
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Canciones de Olmedo
15 NOV – 3PM PST

Canciones de Olmedo is a musical adaptation into concert form of Lope de
Vega’s famous play The Knight of Olmedo. Composed in the 1620's and widely
regarded as Lope's masterpiece, the play was actually inspired by a popular
song, which describes the death of a knight: “They killed him by night, the
pride of Medina, the flower of Olmedo.” We offer you Canciones de Olmedo as
a reminiscence of the flavor of Lope’s poetry—a melancholy, nostalgic song
to love and the end of love.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHdmb3aUrgKxHHb3TK0pD0CbMfa0M_AdBflMYitVuSmT6FfMdrNQCL-F3Y0jI3SfJirAUlWLS4OYL7UY8TqGmdjM-Yvw_7UbWLuyjqZAo0V2wnYQOiKz72_QL-M129G0j7&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAH7fy442aqVPqeiGHYDj2ZUXcPWLSnBzqoj2iONIhHGLpnbpMDtIAUi8olx2ayenqnkL2Oh3am78x8XYdFn-psS76rpjVoAb8KjFtgypxiRLbOPyTXmmoz0mRep47-Wh1L&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
Golden Tongues III:
What We Pay For Likes
15 NOV – 6PM PST

Inda Craig-Galván’s What We Pay For Likes transports the squabbling,
reputation-obsessed aristocrats of Madrid from Juan Ruiz de Alarcón’s Los
empeños de un engaño (translated by Diversifying the Classics as What We
Owe Our Lies) to a Calabasas populated by influencers whose lives revolve
around their brands and social media views. When a handsome stranger comes
to town, their relationships IRL turn out to be much more complicated than
their polished profiles suggest.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAH7fy442aqVPqeiGHYDj2ZUXcPWLSnBzqoj2iONIhHGLpnbpMDtIAUi8olx2ayenqnkL2Oh3am78x8XYdFn-psS76rpjVoAb8KjFtgypxiRLbOPyTXmmoz0mRep47-Wh1L&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHsf73kGEOI8b7PxG5XN4TkYY1DY-Bd3IlU0CBynhYkdaLqptcTe5Ka8wbNCqc9qJZUlhlq_NFYCXpgiqZZyFvPTBW8cjt8noFPs_LaH0WizlBiGTyo3UumoWSm22DXLeszRmRY4FALo4=&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
The Courage to Right a Woman’s Wrongs
16 NOV – 4:30PM PST

One of the Spanish Golden Age’s most accomplished female playwrights, Ana
Caro, presents a witty critique of society through the story of Leonor, a
woman who sets out to find her one-time lover (Don Juan, naturally) and
bring him to justice. The Courage to Right a Woman’s Wrongs is a comedy of
wild intrigue and lively ingenuity in which Leonor crosses geographical
boundaries and defies social expectations of gender in order to bring her
fickle lover to justice and restore her lost honor.
LEARN MORE
<http://r20.rs6.net/tn.jsp?f=001XJNpFkSaOi1TtSyt_jcd8Tllb2pAWFzYh7FGOHfq4SWXVD9yYEcmES7Jqo31IcAHsf73kGEOI8b7PxG5XN4TkYY1DY-Bd3IlU0CBynhYkdaLqptcTe5Ka8wbNCqc9qJZUlhlq_NFYCXpgiqZZyFvPTBW8cjt8noFPs_LaH0WizlBiGTyo3UumoWSm22DXLeszRmRY4FALo4=&c=q2Pxlb6y2NEHqWG2PFxlJQZ27MsDydkJoi9aoGFgvMwfarAzYPqfCQ==&ch=0uKKsch3Us8NeeQ5mh3HAoMsw4FfhVGSyn1giJ-9o3ey69Sjw_x2Sw==>
Special thanks to our sponsors:
UCLA Arts Initiative
UCLA Humanities Division
UCLA Center for 17th- and 18th-Century Studies
UCLA Department of Spanish & Portuguese
UCLA Department of English
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