[Comedias] Fwd: [MLA Commons] Third Biennial Conference of the Iberian Theater... (LLC 16th- and 17th-Century...)

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From: Maria Chouza-Calo <noreply at hcommons.org>
Date: Tue, Dec 4, 2018, 10:24 PM
Subject: [MLA Commons] Third Biennial Conference of the Iberian Theater...
(LLC 16th- and 17th-Century...)
To: Susan Paun de Garcia <garcia at denison.edu>


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MLA Commons
Hi Susan Paun de Garcia,
------------------------------

Maria Chouza-Calo
<http://post.spmailtechnolo.com/f/a/3EbxwrNfe3PXQX7sCDku8A~~/AADx3wA~/RgRd6XV1P0QqaHR0cHM6Ly9tbGEuaGNvbW1vbnMub3JnL21lbWJlcnMvbWNob3V6YTEvVwNzcGNCCgALdfAGXOC1d5xSEmdhcmNpYUBkZW5pc29uLmVkdVgEAAAAAA~~>
started the topic Third Biennial Conference of the Iberian Theater and
Performance Network (ITPN)
<http://post.spmailtechnolo.com/f/a/T6S2dev1Qv3b0sLgNOI1Xw~~/AADx3wA~/RgRd6XV1P0SsaHR0cHM6Ly9tbGEuaGNvbW1vbnMub3JnL2dyb3Vwcy8xNnRoLWFuZC0xN3RoLWNlbnR1cnktc3BhbmlzaC1hbmQtaWJlcmlhbi1kcmFtYS9mb3J1bS90b3BpYy90aGlyZC1iaWVubmlhbC1jb25mZXJlbmNlLW9mLXRoZS1pYmVyaWFuLXRoZWF0ZXItYW5kLXBlcmZvcm1hbmNlLW5ldHdvcmstaXRwbi0yL1cDc3BjQgoAC3XwBlzgtXecUhJnYXJjaWFAZGVuaXNvbi5lZHVYBAAAAAA~>
in the discussion LLC 16th- and 17th-Century Spanish and Iberian Drama
<http://post.spmailtechnolo.com/f/a/BsKNLggiF4kXeo5-_j1YuA~~/AADx3wA~/RgRd6XV1P0RWaHR0cHM6Ly9tbGEuaGNvbW1vbnMub3JnL2dyb3Vwcy8xNnRoLWFuZC0xN3RoLWNlbnR1cnktc3BhbmlzaC1hbmQtaWJlcmlhbi1kcmFtYS9mb3J1bS9XA3NwY0IKAAt18AZc4LV3nFISZ2FyY2lhQGRlbmlzb24uZWR1WAQAAAAA>
:

*Third Biennial Conference of the Iberian Theater and **Performance Network
(ITPN)**School of Advanced Study, Senate House | University of London** 25-27
June 2020*CALL FOR PAPERS*THEATRICAL PROCESSES*The Third Biennial
Conference of the Iberian Theater and Performance Network (ITPN) will focus
on the topic of theatrical processes. We are particularly interested in
approaching theater and performance as a dynamic and evolving practice of
continuous change, regeneration and mobility. Both the dramatic texts and
their stage versions have never been viewed as finished products. On the
contrary, their richness lies in their unfinished nature and their openness
to constant revision, rehearsal and revival. The objective of this
conference is to create a dialogue about the creative processes implied in
the various ways of working with the play text, the staging practices, the
way audiences and critical reception can impact a production, and the many
lives of theatre beyond the page and the stage. ITPN aims at creating a
forum to exchange ideas among scholars working on different periods of
specialization, therefore we encourage contributions that range from the
medieval era to the twenty first century with a focus on the Iberian
Peninsula.*Topics may include but are not limited to:*

   - dramaturgy
   - translation
   - adaptation
   - censorship
   - performance practices
   - audience and critical reception
   - remediation into film, television, opera, musical, comic books
   - cultural and political appropriations
   - artistic failures or successes and their aftermath
   - applied theater in educational, outreach and therapeutic projects.

 *There will be two ways of presenting at the conference**. **We invite
abstracts for ONE of the two proposed formats (in English or Spanish):*

   1. Abstracts for a regular 20-minute paper on any topic related to the
   theme of the conference (in English or Spanish).
   2. Abstracts for a 10-minute paper to participate in one of the two
   proposed working groups.

There will be 2 working groups, each focusing on a specific theme proposed
by the organizers. Each working group will feature 4 participants who will
present a summary of their papers for 10 minutes followed by a roundtable
discussion with the rest of the group members and audience. The conference
organizers will receive and circulate the papers in advance, and facilitate
the discussions among the participants of each working group. The following
are sample questions meant to guide one on the topic that each group will
cover:*WORKING GROUP 1: TRANSLATION AS RENEWAL:*What contributes to this
constant process of renewal in terms of dramatic works? What does it mean
when a translated play resists fixity and remains open to change? What are
some of the challenges for the translator, the reader, the actor and the
director when there are multiple translations of a single play? *WORKING
GROUP 2: THE LIMITS OF ADAPTATION:*What are the limits and challenges of
adaptation? Why do adaptations need to be justified or even defended in
many cases? Why do we continue to find reticence towards the adaptation of
canonical plays? What can justify a radical adaptation of a play or even a
re-writing from the stage?*Submitting proposals:*

   - To submit an abstract proposal not exceeding 250 words to the program
   committee, click here
   <http://post.spmailtechnolo.com/f/a/8lVttMojmNcx488Vadp9WQ~~/AADx3wA~/RgRd6XV1P0RuaHR0cHM6Ly9kb2NzLmdvb2dsZS5jb20vZm9ybXMvZC9lLzFGQUlwUUxTZnJ5QkJkdXl4MG1lSDNKMElRY2dzRXRlT1M2b3BHSE91MmhpeGo4UGRUSmk2ZmVBL3ZpZXdmb3JtP3VzcD1wcF91cmxXA3NwY0IKAAt18AZc4LV3nFISZ2FyY2lhQGRlbmlzb24uZWR1WAQAAAAA>
   .
   - The deadline for submissions is *1 June 2019*.
   - Since space is limited and there will be no parallel sessions, all
   abstracts will be peer-reviewed and notifications of accepted proposals
   will be confirmed by *1* *July 2019.*

 We will bring out a special issue of *Journal of Romance Studies*.
Selected articles will be evaluated using a double-blind peer-review
process. Instructions for submitting the completed manuscript article will
be announced at a later date.*This conference will have a registration fee
of 90 GBP.**Conference Organizers:*María Chouza-Calo (Central Michigan
University, USA) chouz1m at cmich.eduEstherFernández (Rice University, USA)
ef14 at rice.eduJonathan Thacker (University of Oxford, UK)
jonathan.thacker at mod-langs.ox.ac.uk

This topic was also posted in: LLC Medieval Iberian
<http://post.spmailtechnolo.com/f/a/8kDtaKvJCK9MpyN0PjQHww~~/AADx3wA~/RgRd6XV1P0SNaHR0cHM6Ly9tbGEuaGNvbW1vbnMub3JnL2dyb3Vwcy9tZWRpZXZhbC1pYmVyaWFuL2ZvcnVtL3RvcGljL3RoaXJkLWJpZW5uaWFsLWNvbmZlcmVuY2Utb2YtdGhlLWliZXJpYW4tdGhlYXRlci1hbmQtcGVyZm9ybWFuY2UtbmV0d29yay1pdHBuLTMvVwNzcGNCCgALdfAGXOC1d5xSEmdhcmNpYUBkZW5pc29uLmVkdVgEAAAAAA~~>,
Iberian Theater and Performance Network (ITPN)
<http://post.spmailtechnolo.com/f/a/j5wimGIi3wo5MOXWThoi5A~~/AADx3wA~/RgRd6XV1P0SnaHR0cHM6Ly9tbGEuaGNvbW1vbnMub3JnL2dyb3Vwcy9pYmVyaWFuLXRoZWF0ZXItYW5kLXBlcmZvcm1hbmNlLW5ldHdvcmstaXRwbi9mb3J1bS90b3BpYy90aGlyZC1iaWVubmlhbC1jb25mZXJlbmNlLW9mLXRoZS1pYmVyaWFuLXRoZWF0ZXItYW5kLXBlcmZvcm1hbmNlLW5ldHdvcmstaXRwbi9XA3NwY0IKAAt18AZc4LV3nFISZ2FyY2lhQGRlbmlzb24uZWR1WAQAAAAA>
.

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