[Comedias] Correction

AHCT Listserv comedias at comedias.org
Fri Mar 6 16:48:53 EST 2015


Dear Spanish Golden Age Drama Enthusiasts:
This is to alert you that the email address listed in the January 2015 AHCT
Newsletter for submission of abstracts for the 16th- and 17th- Century
Spanish and Iberian Drama sessions at the 2016 MLA Convention is *incorrect*
. *Abstracts should not be sent to José Cartagena, but to María Mercedes
Carrión at mcarrio at emory.edu <mcarrio at emory.edu>.* *The deadline for
abstracts is March 14, 2015.* I apologize for any inconvenience this may
have caused for submitters and organizers; an updated, official CFP appears
below.
Sincerely,
Chris Gascón
Recording Secretary
AHCT

The MLA Forum on 16th- and 17th-Century Spanish and Iberian Drama invites
proposals for papers to be considered for inclusion in one of its three
sessions.  Current members of MLA; those submitting abstracts for the third
session must be members of GEMELA as well.

1.  *Primal Scenes of the Comedia*.  [Guaranteed Forum session] How does
knowing and/or understanding primal scenes contribute to the writing and
reading in- and of the Comedia?  Papers analyzing, interpreting,
illustrating, or commenting dreams of fathers; repression of women/mothers;
terrible mothers; abjection; production and reproduction; queerness; *mise
en abîme*; rape; and/or sexual violence will be taken into
consideration.  250-word
abstract and brief CV by 14 March.  Marimer Carrión (mcarrio at emory.edu).

 2.  *Comedic Desires*.  [Guaranteed Forum session] What correspondences
between desire and comedy contribute to the texture of the Comedia?  This
session will bring together papers with a critical focus on comic
eroticism; mysterious theatrical architecture; desire by proxemics,
gesturing, and movement; propping desire; drag and divas on- and
offstage.  250-word
abstract and brief CV by 14 March.  Marimer Carrión (mcarrio at emory.edu).

3.  *Women and Performance in the Comedia*.  [Arranged in collaboration
with GEMELA.  Non-guaranteed session] How did women contribute to
performance in the Comedia, and how did performance and the Comedia
contribute to women?  Papers analyzing actresses; female court players;
women and the *corrales*; scenes of (play)writing; women and queerness;
eschewing marriage; changing rooms and costuming.  250-word abstract and
brief CV by 14 March.  Marimer Carrión (mcarrio at emory.edu).
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